Dvorak Symphony No. 3 in E-flat Major, Op. 10 (1872)
Allegro moderato
Adagio molto; Tempo di Marcia
Finale; Allegro vivace
Dvořák’s Third Symphony reflects the influence of Beethoven, Smetana, Brahms and Wagner, blending Czech folk elements with symphonic tradition.
The first movement begins with a brief introduction leading into a flowing upward melody with folk-like syncopations. A contrasting descending motif provides material for development.
The second movement combines “Adagio molto” with “Tempo di Marcia,” evoking a solemn, march-like character reminiscent of Beethoven. Its rich brass writing suggests Wagnerian influence.
The finale is a lively scherzo with energetic folk rhythms and playful phrasing. Notably, the symphony has only three movements, an uncommon structure for the time.
Dvořák submitted this symphony for a composition stipend, where Brahms recognized his talent and helped launch his international career. Early publication decisions led to the confusing numbering of his symphonies.
Born: September 8, 1841, Nelahozeves, Austrian Empire
Died: May 1, 1904, Prague, Austria-Hungary
What is Dvorak's Symphony No. 3?
Symphony No. 3 in E-flat major is an orchestral work composed by Antonín Dvořák in 1873. It reflects his growing confidence as a composer and shows the influence of Wagner and Liszt alongside his Czech musical roots.
When was Symphony No. 3 composed and premiered?
Dvořák composed the symphony in 1873, and it was premiered in Prague on March 29, 1874, conducted by Bedřich Smetana.
How long is Dvorak Symphony No. 3?
A typical performance runs approximately 38 to 42 minutes.
What should I listen for in Symphony No. 3?
Listen for the sweeping, romantic melodies in the first movement and the deeply expressive slow movement, which is considered one of the finest Dvořák wrote up to that point. The symphony has only three movements, which was unusual for the time.
What is notable about Dvořák in connection with this work?
Symphony No. 3 won Dvořák an Austrian State Prize, which brought him to the attention of Johannes Brahms. That connection proved career-changing, as Brahms later championed Dvořák's music to his own publisher.
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